Tag Archives: Alfred Hitchcock

Weekly Film Log: February 9-15

Posted on 16 February, 2014 by Lyzette

Another week come and gone. Thankfully I managed to watch a LOT of movies this time around. That also means that much more writing, so be a little patience and skip past any at your own convenience! The Girl Can’t … Continue reading →

Posted in Reviews | Tagged 1920's, 1930's, 1950's, 1960's, 1970's, 1980's, 1990's, 2010's, Alfred Hitchcock, animation, Bela Tarr, Brincando El Charco, British, Burt Gillett, Canadian, Catch-22, Chris Miller, David Hand, Disney, documentary, Frances Negron-Muntaner, Francis Ford Coppola, Frank Tashlin, Gerry Marshall, Gloria Victoria, He Who Gets Slapped, Hungarian, J.J. Abrams, John Badham, Lonesome Ghosts, Marnie, Max Lang, Mickey's Gala Premiere, Mike Nichols, musical, Newman Laugh-O-Grams, Peggy Sue Got Married, Phil Lord, Quiz Show, Robert Redford, Room on the Broom, Runaway Bride, Saturday Night Fever, sci-fi, short, silent, Steamboat Willie, Super 8, The Band Concert, The Girl Can't Help It, The LEGO Movie, The Old Mill, The Skeleton Dance, The Turn Horse, Theodore Ushev, Three Little Pigs, Thru the Mirror, Ub Iwerks, Victor Sjostrom, Walt Disney, Wilfred Jackson | 2 Comments

Top Ten of 1960-69: Part Four – 1963

Posted on 5 November, 2013 by Lyzette

Like any year, 1963 proves to me to have its fair share of greatness. Unfortunately (at least from what I’ve seen), this seems to be one of the weaker years. Nonetheless, I find it of meriting in its own special … Continue reading →

Posted in Compilations | Tagged 8½, Alfred Hitchcock, Andrei Tarkovsky, Blood Feast, Bye Bye Birdie, Contempt, Ernest Pintoff, Federico Fellini, George Sidney, Herschell Gordon Lewis, Ingmar Bergman, Ivan's Childhood, Jean-Luc Godard, Lord of the Flies, Peter Brook, Robert Wise, The Birds, The Critic, The Haunting, Winter Light | 2 Comments

Top Ten of 1960-69: Part One – 1960

Posted on 19 August, 2013 by Lyzette

While I love every decade in cinema, there’s something about the rebellious, table-turning 1960s that particularly intrigues me. It is at turn of this decade when the cinematic world saw an incoming of movements and “new waves” across Europe, Asia, … Continue reading →